![]() Itĭescribes the physical creation of old age by examining the givenĬircumstances of old age (the hardening of muscles, the Vague) characterization and the creation of individuality. This chapter explores the difference between stereotypical (or OneĬontinued as an actor, the other was an observer. I divided myself, as it were, into two personalities. His makeup, shoes,Ĭostume, physical characterization etc transform him, but heĬomments, while I was playing the part of The Critic I still did In this chapter, as part of a dressing up exercise, Kostya createsĪ character, which he names, "the Critic". ![]() His innerįaculties responded to the external image he (Tortsov) Tortsov also comments how as he takes on these externalĭisguises, his internal faculties are stimulated. Speaks), walks as if he is lame, walks with a humped shoulder, ![]() Pulls his mouth into different positions (which alters the way he Tortsov demonstrates external disguises to his students. Himself according to his intuition and his observation of "Each person evolves an external characterization out of Summary of each chapter in Building a Character. In the series, Building a Character, deals with the physical realization of character on the stage expressions, movement, speech etc. Stanislavskis first book, An Actor Prepares concentrates on the inner imaginative process.
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